Tuesday, March 15, 2011

Norwegian Wouldn’t

Am I the only person on the planet not counting down the days until *hyperventilate* OH MY GOD that TOTALLY AWESOME adaptation of that TOTALLY RAD novel by that TOTALLY HIP Japanese dude comes out?



Norwegian Wood is Murakami’s most straightforward and least imaginative novel. No sheep. No incest. No Super-Frogs. No unexplained paranormal phenomena. It’s just a love story about a student who falls for two different women.

Don’t get me wrong. I like the book. I do. But I don’t think there’s anything in the story that justifies turning it into a film. Oh except it’s a bestseller. Ch-ching!

Scripts have rules. Books don’t. That’s how it works. Novels can have fourteen subplots, seventy characters, span six generations and win the Booker. A screenplay with fourteen subplots and seventy characters won’t make it off the paper. It shouldn’t make it off your laptop. It probably shouldn’t make it out of your BRAIN.

Great screen stories have a single protagonist and a clear goal. Olive wants to win Little Miss Sunshine. Indiana Jones wants to find the Holy Grail. Elliott wants to help E.T. go home.

But Toru doesn’t want to escape from prison. He doesn’t want to get the hell off an island overrun with dinosaurs. He doesn’t even want to book Aerosmith for Waynestock.

He falls in love with Naoko. Then he falls in love with Midori. He sort of falls in love with Reiko too. The End.

The problem with this is that falling for one woman after another isn’t a goal unless you’re Russell Brand. It’s a sequence of emotions which play out in Toru’s head i.e. a thought process rather than a plot. You know what this says to me?

Voiceover. Long silences. Too much time to appreciate the soundtrack by *hyperventilate* OH MY GOD that TOTALLY AWESOME dude from that TOTALLY RAD band Radiohead!

Unless Tran Anh Hung has restructured the story to give Toru an active dramatic goal, I’ve got a feeling I know exactly what kind of film we’re going to be left with.

Two words.

Marie Antoinette. Otherwise known as 142 minutes which could more productively be spent eating toilet roll.



I’d like to be proved wrong but I don’t think I will be, particularly after reading an article by Philip French on the Guardian blog, which ends with the backhanded compliment that Tran Anh Hung is ‘not afraid to risk boring his audience’.

This is a bit like saying that Gordon Ramsay is not afraid to give his customers food poisoning, and about as inviting.

It suggests that, as predicted, Tran is going to go all Sofia Coppola on my ass, and therefore that Norwegian Wood is a film I am not going to enjoy.

It also suggests that there are going to be a large number of vegans in the audience who cycled to the movie and won’t be needing their glasses to watch it.

Tran may not be afraid to risk boring us, but I am afraid to risk emptying my wallet for two hours of my life I’m not going to get back.

And for the record, no, I probably won’t be watching Howl either.

Friday, March 11, 2011

Well looky here

The BBC have kindly uploaded a picture of a small sample of the spec scripts their readers are working their way through.



The more eagle-eyed among you may spot that there are quite a few scripts on that table.

One, in fact three, or four, are probably mine.

So here I am, sitting at my desk and midway through writing a snarky blog about how reassuring it is to know the BBC have the time to build forts out of the destruction of approximately 20% of Epping Forest, when something nice drops through my online letter box and lands on my virtual doormat.

Dear Writer,

Congratulations! We're delighted to tell you that your script has been selected by our team of readers to go through to the next stage of the Laughing Stock competition.

Your script will now be read by members of the BBC Writersroom team and BBC comedy team and we will be in touch in the next couple of weeks with a decision about your submission.

Just a reminder that successful writers will be invited to a masterclass on either the 4th or 5th of April which takes place in either London or Manchester.

Only 10% of all the submissions have reached this next stage of the competition so we do hope that, whatever the final outcome is, you are encouraged by making it this far.


Well, that'll teach me. Judgemental blog retracted.

Monday, March 7, 2011

How to spend £40 on casual racism

I’ve got mixed feelings about Dominic Cooke.

For every middle-class dysfunctional family drama he stages at the Royal Court (That Face, Tribes, The Heretic) he pulls something out the bag that’s just so goddamn fucking GOOD you wonder why you balked at the £40 ticket price for the West End transfer.

Yes. FORTY POUNDS. Which is equivalent to approximately 3.5 days rent or a Ryanair return flight to Barcelona, and for some strange reason you’ve spent it on a seat so far above the stage you get vertigo every time you look anywhere except the ceiling. Please note that ‘restricted view’ is usually code for ‘behind the fire door’.

BUT I DIGRESS.

Every so often the Royal Court comes up with a play so good it makes you want to rush out in the interval with a cattle prod to round up everyone on the street and drive them inside for the second half.

I wasn’t sold on Enron. My mum fell asleep but then again she won’t read anything unless it comes in a plastic library jacket and has a gruesome murder in the first three pages. But I liked the lightsabres and the raptors and all the other things I wasn’t expecting from a play set in the bank, and I would be more than happy if Boris installed them in NatWest to get rid of the lunchtime queues.

I loved loved LOVED Jerusalem. I loved it the way I love Sky Atlantic, Christmas trips to TGI Fridays, and all versions of Hush. Yesterday Deep Purple, today Kula Shaker. In fact why don’t we take a moment to look at a picture of Crispian Mills.



Watching Jerusalem is like eating your way through a Kellogg’s variety pack until you get to the Frosties (great) only to find there’s something else in the Frosties box (even better) HEY IT’S A CHEQUE FOR A MILLION POUNDS AND A LOVE LETTER FROM JAMES FRANCO!!!!!

Lets take another moment to look at a picture of James Franco.



Seriously. It's that good.

And as from Saturday I’m adding… erm.. racist comedy Clybourne Park to my list. It’s the latest **MASSIVE SMASH HIT!!!** to transfer from the Royal Court to the West End, and comes without a public school anorexic or prescription painkiller in sight.

The first act is set in 1950s America where perfect housewife Bev packs boxes around a grumpy husband who won’t change out of his pyjamas. It’s a farce about casual racism and uneducated Middle America which starts with nobody knowing the capital of Mongolia and does a U-turn into nastier territory when neighbour Karl turns up with the bombshell that the house’s new owners are black. Or coloured. Or Negros. Who cares? Not Karl - he’s just worried they’ll lower the tone of the area.

The second act skips ahead a couple of decades. Clybourne Park is now an all-black neighbourhood, and the granddaughter of Bev’s maid isn’t too pleased about a young white couple moving back in. An innocent meeting about planning permission turns into a minefield of escalating political incorrectness which manages to offend black people, white people, deaf people, women and at least six other social groups in less time than it takes to watch an episode of Eastenders.

A lesser playwright might have thought this concept enough, but writer Bruce Norris is two steps ahead and weaves in a story about the grieving family of a young Korean War veteran whose suicide is inextricably linked to the fate of the house. OH NO HE DIDN’T! Oh yes he did.

Is it funny? Very.

Is it offensive? Definitely.

Is it a masterclass in structure that makes me want to give up writing because I will never EVER be as clever as Bruce Norris? YES!!! Watch it and weep.

If your idea of an enjoyable evening is watching an entire theatre squirm in unison as a black mother asks her pregnant white counterpart what the difference is between a white woman and a tampon (answer: they’re both stuck up c*nts) then I thoroughly recommend you spend those 3.5 days of rent on a ticket.

Shall we have one last look at James Franco? Go on then.

Wednesday, February 2, 2011

Daddy? says Mara Wilson



'Daddy?’ says Mara Wilson, cutely and irritatingly. ‘Do you think you could buy me a book?’

"A book?’ says Danny DeVito a.k.a. The Penguin a.k.a Mr Wormwood. ‘What do you want a flaming book for?’

Now at this point Matilda could justifiably inform her father that she didn’t ask for a FLAMING book, she just wants a normal book, but she chooses not to. That’s right kids. Rise above it.

‘To read, Daddy,’ says Matilda, even more cutely. So cutely, in fact, that she might even pronounce it ‘weed’.

‘What's wrong with the telly, for heaven's sake?’ says DDV, who seems to be getting shorter and fatter with every scene. ‘We've got a lovely telly with a twelve-inch screen and now you come asking for a book! You're getting spoiled, my girl!’

But even Mr Wormwood might have bought his daughter a Kindle.

Here’s what I think about Kindles.

Kindles are for morons who can’t read books unless they’re disguised as computer games, which is a bit like being an old man who can’t get an erection unless he’s wearing a nappy, and almost as disturbing.

I already spend 8.5 hours a day on the internet. I don’t want to spend my commute looking at ANOTHER FUCKING COMPUTER SCREEN.

Not. Interested.

So hate me.

They’re green. I get it. But I like books. Especially free books. I stole the True History of the Kelly Gang from the floor of the Odeon in Sheffield. I also stole the True History of the Elephant Man from the bookshelf at a house party while my friends were throwing up over the balcony.

I thought the London Book Project was a FUCKING BRILLIANT IDEA, because it meant strangers were going to be leaving FREE BOOKS on the tube and we’d all discover our new favourite authors and hopefully it wouldn’t just be thousands and thousands of discarded copies of the Girl with the Studded Neckbrace or whatever.

But I’m hardly going to leave my Kindle on the Northern Line now am I? Or maybe I am. Maybe I could go and empty my bank account and spend my money paying a quack surgeon a gigantic amount of money to remove Cheryl Cole’s teeth and replace them with gravel. Because that would be about as sensible and a whole lot more fun.

Friday, January 21, 2011

***URGENT***

Like a bad Scout Leader I have lost a follower.

Believe it or not, somewhere between 2010 and 2011 one of you wandered off into the virtual forest and has yet to return.

Please come back. You were my favourite.

Are you punishing me? Did you leave because I haven’t blogged for… a while? OK. A long while. Almost as long I’ve been waiting for Simon Amstell to rejoin the heterosexual community, or Robbie to rejoin Take That.

Wait. What?

That three-minute clip on the state of English sport where five porky men in inappropriate shorts pretended to row boats and sat as far away from each other as possible in a changing room was a music video? An ACTUAL MUSIC VIDEO?!

Excuse me whilst I sit under my desk a moment and weep.

Anyway. I’m blogging again. I have rejoined the blogosphere (cue sell-out tour and hastily cobbled-together range of mugs and key rings at a very reasonable RRP £6) which makes ME Robbie and you, my disloyal friend, the gradual crumbling of any hope Gary Barlow had of becoming a credible lead singer.

Oh PLEASE come back.

Does it matter that I can’t remember who you were?

I solemnly swear that in future you WILL be my favourite and I’ll update this blog so regularly you’ll be forced to sell your iPhone, smash your iPad and mastermind an overly complex and unengaging Die Hard 4.0-esque plan to destroy the internet because you just CAN’T STOP READING IT.

Unless of course you left because you were so unimpressed with what I was posting. In which case you may remain in the virtual forest. Hungry? Why not sample these tasty looking mushrooms? No not those ones. The red ones with the big white spots. They may LOOK poisonous but hey, we thought that about Peter Andre.

Tuesday, September 7, 2010

HOORAY

Good news in my inbox this morning - turns out it's only going to cost £45 to get my penis enlarged.

And just in case that wasn't exciting enough, it also turns out my TV script made it through to the second round of the Kudos / Red Planet Pictures screenwriting competition...

... which means...

... they want to see the rest of the show by Monday.

fuck.

Tuesday, May 18, 2010

a short story about hearing aids

For Ed, because she thinks I'm going deaf.

‘Oh shit,’ said the barber. ‘Oh Jesus Christ. Oh God.’
The girl paid to sweep up hair clippings screamed and dropped the broom, which knocked over a bottle of tropical shampoo and made the salon smell even more like synthetic coconuts than it did already.
Mitchell hummed along to the Match Of The Day theme tune, briefly wondered what it was doing on his iPod, and glanced up, catching sight of the barber’s expression in the mirror.
A resourceful woman threw a towel over Mitchell’s head.
‘It’ll keep him calm,’ she said.
‘I am calm,’ said Mitchell, from underneath the towel. He removed his right earphone, felt for the other, and realised it was already dangling loose around his neck. ‘Why is there a towel on my head?’
The barber looked down at Mitchell’s ear, and prayed. He wasn’t religious, but given the circumstances it seemed like the right thing to do. Dear God, he thought, if you reattach this man’s ear I will never masturbate in the cleaning cupboard ever again.
‘I’m not enjoying this,’ said Mitchell. It was dark, and the towel smelt of old vegetable water. ‘Could somebody please tell me what’s going on?’
‘Tell him,’ hissed the resourceful woman. ‘It was your fault. You chopped it off.’
‘Chopped what off?’ said Mitchell, catching the whisper. Everything suddenly sounded very sharp and clear, like toothache or a piercing whistle. ‘I don’t mind if it’s wonky. Just do the same to the other side.’
The barber shook his head frantically.
‘I don’t think that’s a very good idea,’ said the woman.
‘I’m sure it’s fine,’ said Mitchell. ‘I said I wanted a-’
He took off the towel. The screaming girl stopped screaming, and Mitchell looked at himself in the mirror as if he were somewhere very far away. His hair was clean, for once, and shiny, and cut neatly across his forehead and in two tidy arcs above his…
‘Where the FUCK is my fucking EAR?’ he said, raising trembling fingers to the left side of his head.
‘Now don’t panic,’ said the resourceful woman, with a glance at the barber, who hid the incriminating scissors behind his back.
Mitchell turned his head to the right, and gazed at the ear-shaped patch of creamy pink skin surrounding a hole the size and shape of a cigarette butt. Behind him, reflected in the mirror, the barber held up Mitchell’s ear.
‘I’m sorry,’ he said. ‘This doesn’t usually happen.’
Then the floor-sweeper started screaming again.
‘Where’s the BLOOD?’ she shrieked. ‘Why isn’t he BLEEDING?’ The barber scratched his head.
‘Hey, that’s a point,‘ he said. ‘Does it hurt? How does it feel?’
Mitchell tried to make up his mind.
‘Lighter,’ he said.
‘That’s because I took an inch off at the back and feathered the ends,’ said the barber, drawing two strands of Mitchell’s hair down between his finger and thumb, and squinting over his head in the mirror. ‘It does look…’
The barber faded into silence.
‘A lot better. Um.’ Mitchell let the barber lead him to the front desk, where the pretty receptionist stared at him in horror.
‘Don’t look at the poor man like that,’ said the barber, elbowing her out of the way. The receptionist sidled out from behind the desk and opened her mouth.
‘No, it doesn’t hurt,’ interrupted the barber. ‘It doesn’t hurt, he’s got another one, and I don’t want any more fuss. Haircut’s on the house by the way.’
Mitchell looked down at his ear.
‘Have you got something I can take it home in?’ he asked. The receptionist emptied a box of hair grips, and slid it wordlessly across the desk.
‘Let me do that for you, Sir,’ said the barber, intercepting the box and placing the ear inside. He put on the lid, looked around for a piece of string and tied up the box with a bow, handing it to Mitchell with a weak smile.
‘Thanks,’ Mitchell said.
He thought about asking the receptionist for her number. Instead he put the box carefully into his pocket, tucked the right iPod earphone into his surviving ear, plugged the left into the hole, and exited the salon to the tune of a Pink Floyd track he really hated.

Maybe it didn’t look that bad.
Mitchell curled his toes into the bathmat and tried not to cry as he removed the emergency baseball cap he’d bought on the way to A&E.
He looked at himself in the bathroom mirror, where, staring back at him, a one-eared man holding a baseball cap peered a little closer and said: ‘Fucking fuck. Fucking fucking fuckface no-ear fuck.’
Mitchell opened the box, and tipped the ear into the palm of his hand. It was flat and grimy round the edges, the colour of milk on the turn, and the texture of car tyre. There was nothing to show that the ear had ever been attached to a head, nor any clear way to put it back on.
He dropped the ear into the sink, where it bounced down the side of the basin before coming to a halt in the plughole.
Everything went silent.
Then Mitchell took a shuddering, gulping breath, and sound rushed back in. Pipes gurgled like a stethoscope to a punctured lung. Sheets of toilet paper sank like sodden mattresses from the beds of the Titanic. A defrosting goldfish thumped in the U-bend. Someone in an upstairs flat stuck their fingers down their throat and splattered vomit through the bathroom pipes which reverberated round his skull, magnified several thousands of times, like an bag of footballs exploding in a metal drum.
It was strange and deafening and frightening, and Mitchell clapped his hands to his head in an effort to block out the noise. Eyes screwed shut, he groped for the ear and scooped it out of the sink.
Instant silence.
Mitchell sank to his knees on the bathmat. His head was ringing. The ear was cool and damp in his hands. He held it up to the overhead strip lighting and gazed at it, panting. He held it to his right ear. Nothing. To the hole. Nothing.
Mitchell held the ear to his lips.
‘Hello?’ he whispered. No answer. Of course not. Mitchell blushed, and even the severed ear seemed to take on a tinge of pink.
Then it started to crackle.
‘Hello?’ said a female voice from inside the ear. ‘HELLO? Is anyone there?’
Mitchell stared at the ear in astonishment.
‘Oh for God’s sake,’ said the woman. She pronounced her vowels and consonants ultra-carefully, as if she hadn’t had much practise. ‘Not again. I hate it when this happens.’
‘Don’t hang up!’ said Mitchell.
‘Who is this?’ said the woman, after a short pause.
‘It’s Mitchell,’ he said.
‘How did you get this number?’
‘Look, it’s a long story but somebody cut my ear off and I seem to be using it as a telephone.’
‘Oh,’ said the woman. ‘I thought you might be ringing up about the broadband.’ A pause. ‘You’re not selling anything?’ Suddenly suspicious. ‘Are you religious? You're not going to try and convert me?’
‘Listen, lady,’ said Mitchell. ‘You’re the one talking out of my ear.’ This was followed by a longer pause.
‘What are you wearing?’ she asked. ‘No, forget that. I’m wearing a tangerine dressing gown. Upstairs in 5A. First door on the left past the fire extinguisher.’
‘Um. OK,’ said Mitchell.
The line went dead.

Mitchell climbed the narrow stairs to 5A, wondering if he’d hit his head on anything sharp recently. He met an elderly woman between the second and third floors, who was clearly wondering something similar.
‘Did you know your cap’s on sideways?’ she asked.
‘Yes,’ Mitchell said, pulling the visor lower as he tried to squeeze past.
‘What’s that you’re carrying?’ said the elderly woman, her moustache twitching questioningly.
‘It’s an ear,’ said Mitchell. ‘My ear, actually. Now please let me pass. I have a date with a woman in tangerine sleepwear.’
The elderly woman moved her breasts and stomach out of the way to let him through, and craned her neck to watch Mitchell’s hand leap up the banister as he took the third and fourth flights of stairs three at a time.
Mitchell knocked on the door of 5A.
No response.
He knocked again, louder. Still nothing.
‘She won’t be able to hear that,’ shouted the elderly woman, from lower down the stairwell. Mitchell leaned over the banister. ‘I said, 5A won’t be able to hear that. And put your cap on properly.’
The elderly woman shuffled off down the stairs. Mitchell turned back to the door. He cupped his hands around the keyhole and shouted ‘TANGERINE DRESSING GOWN!! ARE YOU THERE?’
He waited. He counted to ten. He uncurled his fingers and looked at the ear in the palm of his hand. Mitchell raised the ear to his lips.
‘Tangerine dressing gown?’ he whispered, glancing around to check no-one was watching.
‘Yes?’ crackled an impatient voice. ‘Are you coming or what?’
‘I’m outside!’ Mitchell said. ‘I’m standing on the doormat!’
‘Oh,’ said the voice from the ear. ‘Hold on a tick.’ After a short pause, a young woman in bare feet and a tangerine dressing gown opened the door.
‘Hi,’ said Mitchell. ‘This is going to sound ridiculous.’ He held up the ear. ‘This used to be attached to my head.’ Mitchell took off his cap. ‘But now it isn’t, and for some reason I can talk to you through it.’
The woman looked at him without saying anything.
‘Sorry,’ he said. ‘Have I – have I got the wrong flat?’
The woman pointed at the ear.
‘Yes,’ he said. ‘That’s right. We spoke on the phone. Um. On the ear. A couple of minutes ago.'’
The woman pointed at his mouth.
‘I know,’ Mitchell said. ‘It sounds stupid but I swear that really is what happened.’ He trailed off. The woman stuck out her tongue, crossed her eyes and let a small trail of drool hang from her lower lip.
‘OOO!’ said the woman, snatching the ear. ‘OOO arr ooo id!’
‘Hey, careful!’ cried Mitchell, trying and failing to grab it back. The woman in the tangerine dressing gown waved the ear in front of his face. ‘Stop it!’
She backed into the flat, holding the dressing gown closed and the ear high above her head, and Mitchell followed her warily all the way into a small bathroom full of pot plants.
The woman in the tangerine dressing gown picked up a lipstick and scrawled in big red capital letters on the white rim of the sink: YOU ARE STUPID.
‘Ooo arr ooo id!’ she said, jabbing a finger at the words.
‘I’m stupid,’ said Mitchell.
‘Ess!’ said the woman. TALK INTO THE EAR, DUMMY, she wrote, and handed it back to Mitchell.
‘I’m stupid,’ said Mitchell, into the ear.
‘No shit,’ said a female voice. The woman in the tangerine dressing gown folded her arms and rolled her eyes. ‘Jeez. Finally.’
‘Wait,’ said Mitchell. ‘This is weird.’
‘THIS is weird?’ said the voice. ‘I’ll tell you what’s weird. Spending twenty-seven years of my life learning sign language when some bozo downstairs could hear me all along.’
Mitchell stared at the woman in the tangerine dressing gown.
‘OK, no,’ said the voice. ‘This actually is quite weird.’ The woman in the tangerine dressing gown shifted from foot to foot, and tried to change the subject. ‘So you, um, live downstairs?’
Mitchell opened his mouth and closed it again.
‘Fair enough,’ said the voice. ‘I probably wouldn’t want to make small talk with an ear either. Nice meeting you.’
The woman in the tangerine dressing gown turned her back, and started rubbing at the lipstick letters with her sleeve.
Mitchell took a step towards the door.
‘Wait!’ said the voice. ‘Sorry. Just one last thing.’ The woman stopped wiping the sink. ‘What do I sound like?’
Mitchell paused.
‘Who do you want to sound like?’ he asked.
‘I don’t know.’
He thought for a moment. The woman in the dressing gown turned around. Mitchell noticed that she had very nice ears.